“自然成像”在北京悟空間開幕

NaturalImaging
自然成像

策展人｜Curator：潘晟熹| Mason Pan

展覽顧問｜EExhibition Consultant： 尤洋｜Yang You

開幕時(shí)間｜Exhibition Opening：2026.6.12 15:30

展覽時(shí)間｜Duration：2026.6.12 - 2026.6.25

展覽地點(diǎn)：北京市朝陽區(qū)798藝術(shù)區(qū)創(chuàng)意廣場(chǎng)B01

Location:Creative Square B01, 798 Art District,Chaoyang District, Beijing

自然成像

自然史即自然的成像。

山川、河流、森林與荒野并非靜止的背景。水流改變河床的方向，植物沿著光線生長(zhǎng)，風(fēng)與塵土在巖石表面留下紋理，身體在空間之中移動(dòng)，也不斷改變周圍的環(huán)境。景觀由無數(shù)緩慢、細(xì)微而持續(xù)的力量共同塑造。因此，成像不只發(fā)生在攝影機(jī)、畫布或屏幕之中。一處地貌是時(shí)間的成像。一株植物是光線、水分與土壤共同作用的成像。物質(zhì)表面的痕跡，是溫度、壓力與使用方式的成像。

自然并不等待人類為它賦予形狀。它始終在生成自身的圖像。

Natural Imaging

Natural history is the imaging of nature.

Mountains, rivers, forests, and wilderness are not static backdrops. Water reshapes the course of riverbeds, plants grow toward light, wind and dust leave traces upon the surfaces of rocks, and bodies move through space, continually altering the environments around them. Landscapes are formed through the accumulation of countless slow, subtle, and persistent forces.

Imaging, therefore, does not occur only through cameras, canvases, or screens. A landform is an image shaped by time. A plant is an image produced through the interaction of light, water, and soil. The marks left upon the surface of matter are images created by temperature, pressure, and patterns of use.

Nature does not wait for humans to give it form. It is constantly generating its own images.

展覽現(xiàn)場(chǎng)

潘晟熹（Mason Pan）

獨(dú)立策展人|藝術(shù)研究者

潘晟熹（Mason Pan）是一位活躍于北京與紐約之間的獨(dú)立策展人，現(xiàn)任X美術(shù)館理事，目前就讀于美國(guó)南加州大學(xué)。其研究與策展實(shí)踐聚焦于全球化語境下的藝術(shù)生產(chǎn)，致力于推動(dòng)中國(guó)當(dāng)代藝術(shù)的國(guó)際交流與跨文化對(duì)話。他的工作涵蓋公共藝術(shù)、社區(qū)參與及跨文化交流等多個(gè)領(lǐng)域。曾參與紐約華埠及布魯克林地區(qū)的壁畫修復(fù)項(xiàng)目，并策劃《講故事的人》（Storytellers）等展覽，探討藝術(shù)與社會(huì)空間之間的互動(dòng)關(guān)系。目前，潘晟熹的研究主要關(guān)注數(shù)字時(shí)代藝術(shù)傳播的方式與路徑，思考當(dāng)代藝術(shù)如何連接不同文化語境，并促進(jìn)更具意義的跨文化交流。

2025年7月，他于北京798藝術(shù)區(qū)策劃了個(gè)人首個(gè)群展《臨界之地》（Land of Limits）。同年10月，他于紐約策劃了中美藝術(shù)家聯(lián)展《雨告訴我們什么》（RAIN）。其策展實(shí)踐持續(xù)關(guān)注藝術(shù)、空間與社會(huì)經(jīng)驗(yàn)之間的關(guān)系，并嘗試在不同文化語境之間建立新的觀看方式與對(duì)話可能。

Pan Shengxi (Mason Pan)

Independent Curator | Art Researcher

Mason Pan is an independent curator working between Beijing and New York. He serves as a Board Member of X Museum and is currently pursuing a degree at the University of Southern California. His research and curatorial practice focus on artistic production within global contexts, with a particular interest in fostering international dialogue surrounding Chinese contemporary art. His work spans public art, community engagement, and cross-cultural exchange. He has participated in mural restoration projects in New York’s Chinatown and Brooklyn neighborhoods and has curated exhibitions such as Storytellers, which explore the relationship between art and social space. Currently, Mason’s research focuses on the dissemination of art in the digital age, examining how contemporary art can connect diverse cultural contexts and facilitate meaningful cross-cultural dialogue.

In July 2025, he curated Land of Limits, his first group exhibition, in Beijing’s 798 Art District. In October of the same year, he curated RAIN, a group exhibition featuring Chinese and American artists in New York. His curatorial practice continues to explore the relationship between art, space, and social experience, while seeking to create new modes of engagement and dialogue across different cultural contexts.